Two years after Elizabeth Jaeger’s solo show ‚Brine‚ on the occasion of Gallery Weekend Berlin 2019, we are thrilled to welcome a brand new work of the artist in our showroom presentation for the 2021 edition of Gallery Weekend.

Gallery co-owner, Silvia Bonsiepe, had a Zoom call from the gallery, with Elizabeth who is in New York at the moment, but who will join us in Berlin from November 2021 onwards for her residency at Callie’s.

Elizabeth Jaeger, Bird, 2020, ceramics, copper, blackened steel, round wood stick, 143 x 95 x 34 cm.
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With her sculptures, ceramic objects, and installations, Elizabeth Jaeger (*San Francisco in 1988, lives in New York) succeeds in exploring the relationship between corporeality, perception, and consciousness, between sensation and emotion.

Elizabeth Jaeger, Bird, 2020, detail.

„Elizabeth Jaeger’s objects and sculptures rely on the one hand on the dynamism of their materialities and the play between familiar form and abstract refraction on the other. In the process, they openly express their political content and their emotional urgency. Their special quality lies in this very immediacy.“

Elizabeth Jaeger, Two Flowers and a Staircase, 2018, ceramics, 30,48 x 17,78 x 10,16 cm
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Elizabeth Jaeger (born in 1988) attended Lewis and Clark College in Portland, Oregon, the School of the Art Institute of Chicago, and École Nationale Supérieur des Arts in Nancy. Her most recent exhibitions include the solo show Hours (2019), Pommel (2017), and Six Thirty (2014) at Jack Hanley Gallery in New York, 8:30 (2015) at And Now, Dallas, and Music Stand at Eli Ping in New York.

Her works have also been on view in numerous group shows, such as Mirror Cells at the Whitney Museum of American Art, Greater New York at MoMA’s PS1, Practice: Fantasy Can Invent Nothing New at Sculpture Center, NY, Zombies: Pay Attention! at Aspen Art Museum, and most recently Dreamers Awake at White Cube, London, Sticky Fingers, Arsenal Contemporary, and the Sun and the Rainfall II, Galleria Zero, Milan, and per-so-nae, Klemm‘s, Berlin. Her works have been featured in the following publications: Vitamin C: Clay and Ceramics in Contemporary Art (Phaidon, 2017), Dreamers Awake (White Cube, 2017), Eros C’Est La Vie (Totem, 2013), and How Other People See Me (Publication Studio, 2011).

Elizabeth Jaeger is the cofounder of Peradam, a publisher of artists’ books, together with Sam Cate-Gumpert.