Émilie Pitoiset MANIAC Ep. 4
Ahead of her solo exhibition MANIAC, taking place during Berlin Gallery Weekend 2020, Émilie Pitoiset made a „behind the scenes“ video series that unfolds over six episodes.
Ahead of her solo exhibition MANIAC, taking place during Berlin Gallery Weekend 2020, Émilie Pitoiset made a „behind the scenes“ video series that unfolds over six episodes.
Ahead of her solo exhibition MANIAC, taking place during Berlin Gallery Weekend 2020, Émilie Pitoiset made a „behind the scenes“ video series that unfolds over six episodes.
Ahead of her solo exhibition MANIAC, taking place during Berlin Gallery Weekend 2020, Émilie Pitoiset made a „behind the scenes“ video series that unfolds over six episodes.
Ahead of her solo exhibition MANIAC, taking place during Berlin Gallery Weekend 2020, Émilie Pitoiset made a „behind the scenes“ video series that unfolds over six episodes.
Ahead of Alexej Meschtschanow’s upcoming solo exhibition OHNE ZUCKER at Gut Kerkow’s SPACED OUT, we spent an afternoon at his studio. While he prepares for the installation of his works, we shot some images.
„… I’m quite curious to see whether it will be successful, particularly in this location, to critically reflect and reconstruct the colonial history of this collection. The building does not offer the best conditions for this.“
„Around the turn of the year 1999/2000 I took photos for the series Kulisse. I walked through Berlin for days. I tried to find my place, my center. Construction was going on everywhere. The paralyzing standstill that had characterized the last years of the GDR and the various attempts …“
„I expected to find in my photo archive pictures of the palace mockup built around the Palast der Republik in 1993. … „
„In this mini series, I present some posts from my archive. I have always been interested in the area in the center of Berlin, which is called Schlossplatz and was once called Marx-Engels-Platz, where the Palast der Republik was located and the Humboldt Forum will soon open as a mockup of baroque palace.“
First of all this book has a great cover. It shows documentation of an early Daan van Golden exhibition on semi-transparent paper, through which the artist’s name – printed on the inside of the cover – softly becomes apparent.